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Sonos ZonePlayer 90
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Customer Review:
Sonos Setup was pretty easy and I can hear my iTunes to a hi-fi to fifteen minutes, using your iPod as a remote control.
I had a problem with access to the iTunes stored on the NAS. This way you can listen to music without computers. Sonos easily find all the songs on the U.S., but had problems with metadata. SONOS support guys gave excellent service and I managed to solve my problem.
I think buying another ZonePlayer time control of music in other areas of the house.
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BuyingSonos ZonePlayer ZP90 Add-On Player
Laughingly Easy
When I first started looking into wireless streaming, I didn’t intend to spend that much money. I had read a lot of good things about the Sonos products but I also noticed they were quite expensive compared to the alternatives I was considering, the Squeezebox and Airport Express. However, the more I researched, the more appealing was the Sonos, and I wound up purchasing this unit, the ZoneBridge and the Controller 200. I have absolutely no regrets!
The products themselves are of obviously high quality and are attractive. The instructions are brief and there is no need for them to be otherwise; they are very easy to understand, as well. Software loaded quickly and with no problems. Hookup was similarly simple. It took very little time to set up everything and it worked perfectly right from the start. I love it.
It does exactly what it says it does – Rhapsody and Pandora, the two services I use, work flawlessly and it also streams music from my hard drive to the main stereo. The reason I titled my review laughingly easy is because I just have to laugh (with joy) at how easy it is to use, how simple it is to set up, and how well it works. And also, just how nice it all is to stream music to the stereo. Everything is perfect. I am really glad I bought it!
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Amazing Product – Worth Every Penny
This system is, in one word, amazing. I recently built a new house and had the house wired for ceiling speakers. However, the part of my system that was lacking was in control. I picked up this unit to be the main control “station” for the sound system around my house.
This unit literally takes a few minutes to setup. It couldn’t be easier. I had no problems connecting it to the internet and I was listening to music within minutes. My wife and I use the iPhone app on our iPhones to control the music while we’re in the house. I also use the Sonos software at my computer when I am working in my home office. Everything works flawlessly, every single time. The pre-programmed internet radio stations are great, and I put it my zip code and it instantly came up with all of my local FM/AM radio stations as well! How great.
Bottom line – I can’t recommend Sonos enough. I am “gadget” guy and I can tell you that its worth every single penny. The few areas of my house that are not currently wired for sound I am going to have setup with additional Sonos units and speakers soon.
If you’re hesitating, don’t Just get it. You’ll love it.
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Why did I wait so long?
While researching speaker systems like the Bose Soundock etc. I kept reading, “if I had the money, I’d get Sonos, but…” Those sorts of comments just make me move along but after a few more I had to know what kind of money we were talking about. Yes, at first blush the system price is a large investment but considering what “stereo” systems used to go for and all the equipment I already own I chose to look further. I am REALLY HAPPY I did.
I already have very nice receiver, speaker system etc. for surround sound with TV etc. so I decided to try this ZP90 as a solo piece to corral the digital music and make use of the existing equipment. Put the software on the computer, plugged the unit into the internet and the receiver and the magic happens. For me it was just that easy – WOW! We are thrilled with the system and this unit and after a time we expanded to the S5 (looks like the Bose Soundock). It attached to the system using its wireless and after adding the zone, we are good to go with that. So all set with just the 2 pieces right now and enjoying it very much.
I already had an Ipod Touch so I use that as the controller if the computer is not on or I am using the S5 away from the main area. The Sonos scanned the music on the computers, and the NAS (network hard drives) no problem and play from either source easily.
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the perfect way to stream your mp3’s from your nas
the sonos is just perfect. installing was a breeze (and when i write breeze, i do not refer to clicking this, choosing the appropriate option, then setting just half a dozen parameters or so). plugging in, inserting the cd, one or two clicks, then pressing two buttons on the device – that’s it. and together with the iphone app remote control it’s one of the best techie gadgets i have ever bought (together with the zone bridge)
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Best thing since sliced bread
Sonos concept is such a great idea. I can control audio all over my house from my iPhone or computer including changing source of audio (computer, tuner/amp, and anything online) and sound level. I can instantly mute when needed (phone calls). They work pretty much as described although I get occasional lapses when I’m downloading anything large from the web.
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Multi room audio was never better
After thinking for a long time I finally decided to plunge in after many happy comments from others about Sonos.
I’m so happy I did buy Sonos. I can now listen to any radio station in the world. From China to Chicago and off course also our local radio stations. Controlling the system is so easy a kid 5 years old could manage it easily. Also playing music from my Buffalo live station was organized in 10 minutes, just selecting the music location on the Buffalo storage device an index was built that creates an index of all my songs. I could listen to them too using multiple search criteria like album, artist, individual songs and more.
Installing and using Sonos is a breeze. I just ordered a ZP120 as well and for my kitchen and bed room I’ve planned an S5. Even the bathroom will have one one day once I can rebuild that room from scratch too.
I love Sonos for it’s simplicity, great design.
PurchaseSonos ZonePlayer ZP90 Add-On Player
Awesome system
I ordered this after spending quite a deal of time researching on the net how to play my FLAC files that I ripped from my CD collection – MP3’s just don’t cut it for me, and I wanted to hear high quality music on my stereo. The Sonos system rocks – it was super easy to install, is connected through my home network, and plays all my FLAC’s stored on a NAS external drive also attached to my network. I bought an Ipod touch instead of the controller, and this works rather well. The sound is awesome, and I am now in the process of rediscovering a lot of my music collection that I haven’t listened to in ages. Highly recommended!
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Festival Survival Tips
Thinking of going to a Music festival this year? Then get those wellies at the ready and read on to make sure you’re prepared! Here’s our top ten tips…
1) Well I may as well say it now. TAKE WELLIES. It may seem like common sense to most but Field + Rain + 100,00 people trampling around = lots and lots of mud! You may think that you can cope without them or that you don’t want to look like a saddo, but when it’s pouring down and the mud’s up to your ankles, you’ll be glad you took my advice!
2) Take sun cream. Ok I know what you’re thinking, “wellies and sun cream? Ae you a moron?”. Well I’m sure anyone who’s braved a music festival will tell you, if it’s not p**sing down, it’s baking hot, there really is no happy medium so be prepared for all evantualities.
3) Get there as early as possible. Unless you want to be camped 38 miles from the main stage get there as early as you can.
4) Choose your spot wiseley. There’s a fine line between a great spot and an awful spot. Close to the fence may be a good idea because it gives you easy toileting but you could find that everyone around you has the same idea and you get a river of pee flowing beside you. Don’t get there early and take up a vast area for your encampment, you’ll return from your ‘lets go have a look around’ on the first day to find every man and his dog pitched right in between you and your mates. Keep it tight, leave enough space in the middle for the bbq and mark your territory (not like that!)
5) Don’t take too many clothes. One set and one spare set normally does the job. It’s going to be a trek from the car park to the campsite (and I’m talking hours rather than minutes) so the lighter the load the better!
6) Be sensible with the food you take. A typical festival burger costs £65.90 and a portion of chips will set you back £92 so taking some food is always a good idea. Be careful not to take anything that can go off (your tent will be like an oven) and nothing that’s too heavy (remember you have to carry it).
7) Take some toilet roll. It’ll save your life and you can sell it for a small fortune if you get stuck for cash.
 Go and see a band you’ve never heard of. I’ve discovered some of the best bands by just randomly rocking up to a tent or stage in the early afternoon, believe me, it’ll change your life.
9) Memorise the way back to your tent. In the pitch black after 10 pints of the good stuff, it all looks the same! And those green portaloo’s really don’t make for a good night’s sleep.
10) Have fun, be safe spead some love and bring some back for the rest of us!
Ok , so , if you buy your mp3 player from the store or online and the device is brand new, you must have a box. Where is your new player of course and some other important things. Those things are: Installation CD , USB cable , earphones, recharger and maybe one or two more extras.
Installation CD – this is important , because its necessary for connection between MP3 player and Computer. This CD will help your Operating System to recognize the device. If you have Windows 2003 and above , maybe there is no need to install anything, but you still must have a CD in the box – in any case. For Example , Windows XP in 90% of cases will recognize your player automatically , when you have connected it with USB cable. This CD is also known as Driver CD or User Manual CD.
You must turn on your mp3 player and plug the cable with it. Then plug the other jack in to the computer. Now your device is connected to your PC. Now , if Windows recognizes the player automatically , messages will appear, like – “New Hardware Device Found” and “Hardware Installed and Ready to Use”. In this case , when your mp3 player is installed , go to My Computer and look for the new icon , called “Removable Storage Device” , or the icon may also be named with the name of you player. For Example: SciFlux Mp3 Player Device or something like that.
If windows cant recognize your player, then you must to use the Driver CD. Put it in the CD or DVD Drive. Usually this CD`s are with autorun feature. Just wait , do nothing and after few seconds the installing application will appear. Look at the possibilitys. You must see something like “Install” or “Install Drivers” or something differend , but very similar to “Install” or “Drivers”. Follow the setup. Usually this process is short and easy , all you have to do is to click “Next” and “Finish” on the end. When you do this … your player is now installed. And again – go to My Computer and look for the new icon – this is your mp3 player.
So , you have installed you mp3 player already. Your Player Storage device will be located in My Computer , like i say before.
All you have to do now is to click on it twice. When the digital player is brand new , there will be nothing – empty. So , go to your hard drives, locate your music files. When you choose the music files you like to upload to the mp3 player, just copy them. Select -> Copy. Then go to Your mp3 player icon in My Computer ( the new icon , remember?) ,double click it … and PASTE. Wait the copying process to complete and you are done. Now , switch OFF teh USB cable and enjoy your music.
So , its easy , right? I hope this article , will be helpfull for some of you guys and galls.
When you succeed in finalizing your recording contracts, you will be offered a label with almost 35 or more pages. However, before rushing head-over-heels into this recording contract which can affect your entire music career, there are a few vital issues you must be concerned about. Although, there are many more issues which loom large these four issues are the main issues to be considered.
Step # 1, Term: Generally, the term in recording contracts is set forth for almost a year or more, as the first term and a sequence of different periods, to be implemented or not in the solitary purpose by the label. During every period you would require to record a minimum number of recordings in order to satisfy your commitment. You have to request that the label ensures a limited number of recordings, equal to an album, however any phrase that simply sets a minimum and not the maximum be reduced. This is the method you come to know what you have pledged.
Step # 2, Royalties Rates: These rates are usually based on the wholesale price or the retail price. However, retail price is said to be more encouraging than the wholesale price for easy calculations. The retail rate is possibly from 6 percent to 12 percent of the recommended retail price, however do not be deceived by the retail rate alone for it is quite often dissimilar compared to the actual amount. To calculate the total amount, deduction galore is being used like the recording costs, free goods, reserves against returns, video production cost, club royalties, foreign royalties, payment on 90 percent of records and packaging charges. Moreover, you must also request that the rates enhanced all through the period of the recording contracts, both in terms of increased sales and option periods.
Step # 3, Advances: This is a matter of complex formula, the short form of WYCG that stands for Whatever You Can Get. For all those new artists, there is no thumb rule, at least for the very first recording contract. However, if this contract goes into alternatives, the negotiations can endeavor to express future advances that are based on the percentage of royalties that are paid earlier. Even, higher advances for all the albums on the theory that the contract must be successful one has to go on for a longer period. You must also consider there fact that these are advance against royalties however, you must be aware of the advances being phrased against any other sums under this contract or even between the two parties.
Step # 4, Cross-Collateralization: This means that if you have other recording contracts with the music company and are unrecouped, any amount due to you under that contract, will be used to recoup the unrecouped advances. For instance, if a person has a co-publishing and publishing contract with the label, these amounts as per the recording contract can be cross-collateralized against dues.
Hailing from Orem, Utah, the alternative rock band called The Used has made its mark on the public with a couple of albums and music videos released under Reprise Records. With songs like “A Box Full of Sharp Objects” and “The Bird and the Worm,” the band has established itself as a thriving music group. With an active following since 2001 (and still going strong), The Used possess a history of making music that begins in the middle of the ’90s.
Brief Group History
During the mid-1990s, The Used was known in their early days as a local band called Froglick. At this time, Brenden Steineckert (founding member and drummer) was grouped with Quinn Allman (guitarist) and Jeph Howard (bassist). It was soon agreed that a full-time singer or frontman would be needed to boost the popularity of the band. Auditions were held, but a suitable member could not be found. Upon the suggestion of Allman, a friend from school (Bert McCracken) was asked to join and gladly accepted.
The group began to record a few demos and hold a handful of local shows. John Feldmann, a member of the punk group, Goldfinger, heard the band and, in 2001, encouraged Reprise Records to sign the group. Within a couple of months, a ten-track demo CD was produced. The band would later become The Used after finding out that a band in Boston already went by the moniker Used.
In 2003, The Used released a CD and DVD combo package titled “Maybe Memories.” Live, unreleased, and demo works were included, such as band history, musician bios, and live concert snippets. Platinum sales status followed. In 2004, the group released their second studio album, titled “In Love and Death.” A host of personal tragedies suffered by lead singer McCracken guided the themes, subjects, and songwriting of the album. The title of the album and the song, “Hard to Say,” paid tribute to the pregnant girlfriend he lost to drug overdose. “In Love and Death” became the group’s second platinum venture, selling more than three million copies.
The future of The Used involves another CD and DVD compilation and a couple of tour dates. A new album is set for a 2007 release, and the group is adjusting to their new drummer, Dan Whitesides.
Current Members
Currently, The Used is composed of Bert McCracken (lead vocals and piano), Quinn Allman (guitar and backup vocals), Jeph Howard (bass and backup vocals), and Dan Whitesides (drums). In the past, the group also worked with other musicians, such as Greg Bester, who served as touring guitarist during the early 2000s. Most notably, Branden Steineckert, who provided backup vocals and played drums, was kicked out of the band during the summer of 2006.
Discography & Musical Achievements
The Used released their first full-length studio album, which was self-titled, in 2002. The public readily accepted the new group, and they enjoyed a wealth of early success. Four singles (”A Box Full of Sharp Objects,” “Buried Myself Alive,” “Blue and Yellow,” and “The Taste of Ink”) helped claim a following. The album soon went platinum.
In 2004, the group released “In Love and Death,” which also became platinum-certified, selling more than three million copies. The David Bowie remake of “Under Pressure” featured My Chemical Romance and was offered as a bonus track on the 2005 re-release of the album. Additional songs on the album included “Take It Away” and “I Caught Fire.” Set for a 2007 release, The Used is planning on sharing “Lies for the Liars,” which is also set to come with a DVD.
Image taken on 2010-03-09 22:57:02 by Action Weaver.
Image taken on 2008-07-19 16:06:20 by oed.
Twice now, in the past year, I have packed my Martin acoustic guitar, headed over to two different friends houses where, in each house, there was a 14 year old guitar player. In one case it was a 14 year old girl, the other a 14 year old boy. The girl was still wearing braces, the boy was about 6 feet, a thick head of long hair, curly at the ends and very sultry looking. One house housed, in addition to the teenager, a Fender Stratocaster, in the other house, in addition to the teenager, was an Ibanez electric guitar.
I discovered early on in the attempt to jam with a person more than 40 years my junior, that the Generation Gap was a very large gap. There I was playing nice open chords in the key of G or D and there were my jamming partners playing grungy power chords on out of tune guitars and playing them loudly! I would listen for a while and when they ran out of momentum (only for the moment!) I would suggest they play something a bit more melodic and then I would try to follow along and provide some type of rhythmic accompaniment. This would draw a type of blank stare, one that had an edge of teenage angst associated with it. But, because in each case there was a parent present, they would attempt to cooperate and eventually, within a few minutes, the momentum would once again die down and there was an awkward silence.
Eventually I would put my own guitar down realizing that this was not going to work out. And, little by little the respective teens would start playing stuff they had practiced really well and felt comfortable with and I would offer my compliments on fine guitar playing.
In each of the two cases a few minutes of commonality would pop out. In one case I asked the young lady with her Strat, to play a few simple chores, Am, F, D and G. I showed her the sequence, I started it out on my guitar, she picked up the rhythm, and when she seemed to fall into the groove I took off playing the lead to Apache, one of my favorite guitar instrumentals from the early 1960s. Funnily, after about 90 seconds of sounding really good together, she could not maintain her interest or concentration and lapsed into a power chord sequence from a Green Day tune.
With the young man and his Ibanez electric, the moment came when, after watching him wince in pain at this attempt to play together, I asked if I could show him some of my original songs on my Martin. He and his friend readily agreed and I took a few minutes to retune the guitar to dadgad tuning. He said he had heard of it but was not quite sure what it was. So, I proceeded to play the two instrumental tunes I had written and in the end, there was a few minutes of genuine musical appreciation. We had crossed the gap and appreciated each other for the music. And even later that evening, this fine young man made several references to dadgad tuning and I’m sure it’s something he will fool around with on his own.
If the opportunity presents itself to make music, and to make music with someone across the chasm of musical tastes, I highly recommend working at bridging this gap. Musical appreciation can definitely bring the generations together.
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